49 Teachers to be honored in Metro Schools’ annual Blue Ribbon Teacher Awards

Metro Nashville Public Schools, along with the Nashville’s Agenda Steering Committee and the Nashville Public Education Foundation (NPEF), announced today the winners of this year’s Blue Ribbon Teacher Awards.

This year, the focus of the awards was on recognizing teachers doing outstanding work in one of three areas – literacy instruction, support of English Language Learners and teacher leadership.

Winners will be honored at a special reception in March and celebrated through a month-long city advertising campaign. Along with Blue Ribbon status, each teacher receives a $1,000 cash prize – supported exclusively by private donations.

This year’s winners join an elite group of the city’s top public school educators. With their addition, only 192 teachers have received this distinction to date.

“In classrooms across this district we have many life-changing moments taking place every single day due to the expertise, commitment, and caring of our great teachers,” said Dr. Shawn Joseph, director of schools. “The Blue Ribbon Teacher Award helps us shine the spotlight on some of our best teachers and more importantly, better demonstrate the value this community places on teaching excellence.”

In its fourth year, the program aims to recognize top teaching talent in our public schools. Winners are determined following a rigorous selection process that included a review of evidence of outstanding teaching practices by a team of experts.

Applications of semi-finalists are then reviewed by a specially-convened community selection panel.

“So often, teachers tell us they feel invisible or their work unnoticed in the larger community,” said Tom Sherrard, chairman of the Nashville’s Agenda Steering Committee and a member of the Board of the Nashville Public Education Foundation. “What we are hoping to do with this award is to say that great teaching matters – not just to students and parents but the entire community.

“We all benefit immensely from the work of extraordinary educators like these. They deserve the entire city’s thanks and recognition.”

The Blue Ribbon Teacher awards program began in 2014 and is a joint project of the Nashville’s Agenda Steering Committee, the NPEF and MNPS.

Members of this year’s community selection panel were: Susannah Berry, Gail Carr-Williams, Hank Clay, Ron Corbin, Stephen Francescon, Rebecca King, Vanessa Lazon, Rob McNeilly, Paul Oakley, David Plazas, Stephanie Silverman, Brenda Wynn and Nahed Zehr.

Elizabeth Warren releases DNA test with ‘strong evidence’ of Native American ancestry

By REBECCA BERG and ERIC BRADNER
CNN Newsource

Sen. Elizabeth Warren has released the results of a DNA analysis showing she has distant Native American ancestry, in an apparent attempt to pre-empt further questions and attacks should she run for president in 2020.

Warren first faced scrutiny for her purported Native American heritage during her 2012 Senate race. But President Donald Trump has revived and amplified the controversy as he eyes Warren as a possible rival, frequently mocking her with the nickname “Pocahontas.”

But Warren now has documentation to back up her family lore — an analysis of her genetic data performed by Carlos Bustamante, a professor of genetics at Stanford and adviser to Ancestry and 23 and Me.

In a rollout video about Warren’s heritage, the Massachusetts Democrat is seen sitting behind a laptop as she calls Bustamante.

“Now, the President likes to call my mom a liar,” Warren asks him. “What do the facts say?”

Bustamante responds, “The facts suggest that you absolutely have a Native American ancestor in your pedigree.” Warren is shown nodding.
Trump waved off Warren’s DNA test results on Monday, telling reporters, “who cares?” when asked about them.

Trump said later Monday that Warren owes the nation an apology.
“She owes the country an apology,” the President said when asked whether he himself owed the senator an apology for calling her “Pocahontas.”

Bustamante’s full report is now posted on Warren’s website, along with other supporting documents and interviews detailing her background.

According to the report, “the great majority of (Warren’s) identifiable ancestry is European.” However, the report adds, “The analysis also identified 5 genetic segments as Native American in origin at high confidence.”

Bustamante’s analysis places Warren’s Native American ancestor between six and 10 generations ago, with the report estimating eight generations.

“The identity of the sample donor, Elizabeth Warren, was not known to the analyst during the time the work was performed,” the report says.

Warren’s video makes clear that it is in part a response to Trump’s attacks, opening with a clip of the President mocking Warren as “Pocahontas.” Members of Warren’s family express their disappointment with the President’s taunts in a series of interviews.

“He’s talking about stuff he doesn’t have any idea about,” Mark Herring, Warren’s nephew, says in the video.

On Monday, Kellyanne Conway, a counselor to Trump, told CNN that the video was “odd” and wrote off the DNA results.

“I haven’t looked at the test,” Conway said. “I know that everybody likes to pick their junk science and sound science depending on the conclusion it seems some days. But I haven’t looked at the DNA test and it really doesn’t interest me, to be frank with you.”

The video also tackles the question of whether Warren’s Native American heritage played any role in her professional advancement.

That issue has been raised by the White House as well, with press secretary Sarah Huckabee Sanders saying during one briefing, “What most people find offensive is Sen. Warren lying about her heritage to advance her career.”

Warren’s purported Native American heritage was touted by Harvard Law School when she was a professor there.

But Warren’s video includes testimonials from faculty at Harvard Law, the University of Houston, University of Pennsylvania Law School and UT Austin School of Law insisting Warren’s professional advancement was not tied to it.

“Her heritage had no bearing on her hiring,” Jay Westbrook of the UT Austin School of Law says in the video. “Period.”

Her campaign has also published a lengthy archive of university documents to support these claims.

The information is unlikely to dissuade the President from continuing to zero in on the controversy surrounding Warren’s background.

At one rally, depicted in Warren’s video, Trump offered to donate $1 million to charity if Warren were to take a DNA test “and it shows you’re an Indian.”

Warren tweeted Monday morning that Trump could “send the check to the National Indigenous Women’s Resource Center.”

But Trump said Monday that he “didn’t say” he would pay Warren $1 million for showing her test results.

“I didn’t say that. You better read it again,” he told reporters outside the White House.

At the July rally where Trump made the original offer, he said, “And we will say, ‘I will give you a million dollars, paid for by Trump, to your favorite charity if you take the test and it shows you’re an Indian … we’ll see what she does. I have a feeling she will say no but we will hold it for the debates.”
Later Monday, Trump said he did not owe Warren the money, saying that

was contingent on her winning the nomination.
“If she gets the nomination in the debate where I was going to have her tested,” Trump said.cx”I’ll only do it if I can test her personally,” he said. “This is not something I would enjoy doing either.”

The President also said Monday he hopes Warren will run for president because she will be “easy” to beat.

“I hope she’s running for president because I think she’d be very easy… I do not think she’d be very difficult at all,” Trump said, adding, “I don’t want to say bad things about her because I hope she’s one of the people that get through the process.

A Warren aide told CNN the decision to release the video and DNA test about her Native American ties is part of a larger effort to put out as much information about her background as possible as she weighs a 2020 presidential run.

Warren also recently released 10 years of tax returns and her personnel files from Harvard and other schools. The aide said the DNA test came back Friday.

Warren wonders in the video about the motives of those, like Trump, who “have questioned my heritage and my family history.”

“Maybe they do it to insult me,” she muses. “Maybe they do it to distract from the kinds of changes I’m fighting for.”

She concedes in the video that she is not enrolled in any tribe, “but my family history is my family history.”

What counts as Native American heritage is a question with different answers among the 573 legally recognized tribes in the United States.

Cherokee Nation Secretary of State Chuck Hoskin Jr. released a statement Monday in response to Warren’s test and claims.

“Using a DNA test to lay claim to any connection to the Cherokee Nation or any tribal nation, even vaguely, is inappropriate and wrong,” the statement said in part. “It makes a mockery out of DNA tests and its legitimate uses while also dishonoring legitimate tribal governments and their citizens, whose ancestors are well documented and whose heritage is proven. Senator Warren is undermining tribal interests with her continued claims of tribal heritage.”

Most tribes use their membership rolls dating back decades, requiring a direct descendant or blood quantum. Warren claims Cherokee and Delaware heritage — both of which use membership rolls to determine who qualifies for tribal citizenship, which Warren has never claimed.

Cherokee Nation principal chief Bill John Baker is 1/32 Cherokee by blood.
Melanie Benjamin, the tribal chairwoman of the Mille Lacs Band of Ojibwe Indians in Minnesota, said Warren asked her for advice on how to discuss her heritage before a speech in February.

“My advice to her — and I used an example — is that in Indian country, we are very community-oriented,” she said. “We are those types of people where we will embrace you as part of our community, and then we will recognize you as our community from there on.”

“If you are told from Day One that you are that tribal person and that tribal home, that’s who you are. And that’s the simplest way to explain that,” Benjamin said.

Warren concludes in the video that the issue “isn’t just about casual racism,” but part of a pattern of “discrimination, neglect and violence” that Native communities have faced “for generations.”

“And Trump can say whatever he wants about me,” she adds. “But mocking Native Americans or any group in order to try to get at me that’s not what America stands for.”

CNN’s Abby Phillip, Kevin Liptak, Manu Raju, Devan Cole, Paul LeBlanc and Leslie Bentz contributed to this report.

Vanderbilt’s Bishop Joseph Johnson Black Cultural Center unveils Legacy Pioneers Portraits, newly renovated Legacy Lounge

Nashville Voice

People from Vanderbilt present and past who have made Vanderbilt a more inclusive space for black students, faculty and staff are the subjects of 10 new portraits unveiled by the Bishop Joseph Johnson Black Cultural Center Oct. 10.

The ten Legacy Pioneer Portraits, which were painted by critically acclaimed visual artist James Threalkill, a 1979 Vanderbilt alum, will hang in the Study Lounge inside the Black Cultural Center.

“This project is about helping the Vanderbilt community to see, understand and appreciate the black history of the university and those who helped shape that experience for the better,” said Rosevelt Noble, assistant dean of students and director of the Black Cultural Center. “It’s important for students who frequent the Black Cultural Center to realize that a lot of people made significant sacrifices to make their experience what it is today.”

Noble noted that this is just the first class of Legacy Pioneers and that there is much more to come. The portraits unveiled in the Black Cultural Center include:

  • Rev. Walter R. Murray,
  • Chancellor Nicholas S. Zeppos,
  • Eileen Carpenter,
  • Sheryll Cashin,
  • Peter Pratt,
  • Ray Winbush,
  • Tonya Mitchell,
  • Monica Peek,
  • Akaninyene Ruffin; and,
  • former Chancellor Gordon Gee.

The Legacy Pioneers initiative was inspired by the Lost in the Ivy project, which Noble established back in 2007.

Lost in the Ivy comprises hundreds of interviews and personal narratives on the African American experience at Vanderbilt, which includes faculty, staff, students, and alumni from across the university.

More than 500 interviews have been conducted to date and the project has brought to light many stories that for years remained untold.

The Legacy Pioneer initiative came to life when Noble repeatedly heard the stories told during the interviews about the lasting impact of particular individuals or events in improving the Vanderbilt culture.

Subsequent research through old newspapers, magazines and other artifacts confirmed the oral narratives and identified some individuals as pioneers for their enhancements to the black experience.

Pulitzer Prize Poet’s new memoir both disturbing and exciting

0

By Ron Wynn
Nashville Voice

Only a select number of poets have ever won the Pulitzer Prize, and the list of black winners is even shorter.

When Gregory Pardlo won in 2011 for his poetry volume “Digest,” he triggered a fresh wave of interest among readers and poetry lovers worldwide.

But his new book, “Air Traffic – A Memoir of Ambition and Manhood in America” (Penguin/Random House) focuses as much of the spotlight on his father as on the author.

“Air Traffic” is both a sometimes disturbing, always insightful coming-of-age chronicle and a look at how sudden misfortune can overwhelm and destroy lives and families.

It’s also a tale of the sometimes edgy and uncomfortable relationship between a father and a son, especially when things have been affected by a stunning fall of grace by either party.

Lastly, it also reveals the devastating impact of drug addiction, both on an individual family and on many communities overall, especially in black neighborhoods.

Pardlo’s father was highly intelligent and at one point very popular among his co-workers.

The elder Pardlo was a labor organizer and air traffic controller, a man who defied the odds regarding what blacks weren’t supposed to be able to do in the ’60s and ’70s and had become a very successful figure within the world of aviation.

But that all came crashing down in 1981 when the air traffic controllers gambled that President Reagan wouldn’t dare risk public safety in the air and actually de-certify their union if they ignored the law and went on strike.

The union did and Reagan promptly de-certified them, later allowing only a small number to reclaim their jobs.

The action not only stunned Pardlo’s father, but it also led to a mental and physical breakdown, as well as a descent into drug addiction and the subsequent damage to family finances that is often triggered by the selfish behavior an addict.

The younger Pardlo encounters his own troubles, some caused by the turbulent relationship with his father, and the others immaturity and uncertainty about what direction he should take in life.

The younger Pardlo struggles and scuffles with everything from trying to be a Marine to traveling around the world, then later becoming the manager at a jazz club.

But it’s not until he finally discovers the joys of writing and poetry that e finds something that he both enjoys and gives his life new distinction and quality.

It also helps him navigate increasingly thorny barriers regarding race and class, and decide what paths he wants to follow for the remainder of his life, both personally and professionally.

“Air Traffic” has plenty of troubling, disturbing segments and sequences. It is probing, extremely candid and sometimes controversial in that Pardlo has no problems taking issue with orthodox positions regarding racial identity, gender politics, writing techniques, educational values and other areas.

But it is also rewarding and valuable as it details the eventual triumph of a gifted writer over personal and family demons, and one man finally finding his place in the world after years of turmoil.

Why the Kanye West-Jim Brown lunch with Trump was a disaster

By Nia-Malika Henderson
CNN Newsource

Imagine this: A president, concerned about the opioid crisis that is ravaging many communities, particularly white, Midwestern communities, invites a retired football player and a famous musician to talk about the crisis.

And imagine that this is one of the few high-level meetings he has about the crisis, which has led to the deaths of tens of thousands of Americans.
Well, that is kind of what just happened.

Not with the opioids, but with the critical, potentially lethal, issues facing many African-Americans across the country. On Thursday, President Donald Trump had a working lunch with Kanye West and retired football player Jim Brown.

This was the meeting’s preview sent by the White House ahead of time: “The discussion will be centered on President Trump’s historic work to benefit all Americans such as urban revitalization, the creation of Opportunity Zones, new workforce training programs, record highs in African American employment, the creation of manufacturing jobs, ideas from his meeting with African American pastors, potential future clemencies, and addressing the massive violent crime surge in Chicago.”

Shorter readout: This was Trump’s black people meeting.

What a meeting it was. No cameras were allowed in the lunch, but West’s about 10-minute soliloquy in the Oval Office provided a window into the ground covered.

Here are some ideas West raised:

  • Bring Trump factories and Yeezy ideation centers to Chicago.
  • His MAGA hat makes him feel like a superhero.
  • Make the dopest … no the “flyest” cars.
  • School is boring. Kids should play basketball while they are doing math.
  • Time doesn’t exist.
  • Stop worrying about the future. We only have today.
  • Trump and Colin Kaepernick wearing “Make America Great” hats at the Super Bowl.
  • Stop-and-frisk is bad.
  • The solution to police brutality is love.
  • Something about an Iplane.
  • Opening up industries and tax breaks.
  • Something about liberals distracting black people by focusing on racism.

So, what were the goals here?

For Trump, it was a chance for him to say, Trump does care about black people, but don’t take my word for it, listen to Kanye West

.But what the meeting highlighted was how few African-Americans Trump has in his circle.

Omarosa Manigault-Newman, who wrote a scathing tell-all on Trump, hasn’t been replaced.

The meeting also highlights how seriously Trump takes issues that his base doesn’t really care about.

Rather than invite real policy experts, say on education or criminal justice, Trump brought before the cameras two famous black men who like him.

The result was about what one would expect — a hard-to-parse, bizarre Oval Office moment with very little substance fueled by West’s desperate need for attention and Trump’s need for open adoration by famous people.

Hart, Haddish film ‘Night School’ does the expected

0

By Ron Wynn
Nashville Voice

It’s safe to say that the new Kevin Hart/Tiffany Haddish film is pretty much “critic-proof.” By that, I mean the fans of both these comic powerhouses will flock to it and love it, no matter how bad the reviews or what anyone thinks of it.

The fact that it has a predictable plot and isn’t particularly different in style or theme from any of the many other films the two have made separately also won’t matter, and as expected, it has proven the number one film at the box office.

What storyline does exist focuses on high school dropout Teddy Walker (Hart), who’s both irritated and agitated by the lack of opportunities his educational status affords him in 2018.

He’s wasting away selling barbecue grills and being tolerated in a relationship by design executive Lisa (Megalyn Echikunwoke).

Lisa really tries not to notice (at least publicly) the difference in their status and levels of education, but it finally begins to bother Walker. He decides he needs to go back to school and at least get a GED.

Walker encounters a rather unconventional (to put it mildly) teacher in Haddish, who is light on academics, but heavy on critic-proof philosophy, comic bravado, and thinly veiled insults, though it’s clear she truly values her students and wants them to succeed.

There’s also prickly principal Stuart (Taran Killam), who had run-ins with Walker before. Plus there are assorted other classmates with varying degrees of personality.

“Night School” is little more than a series of barely connected comedic sketches and situations designed to showcase the verbal and improvisational skills of its two stars.

If you’re a fan of either or enjoy predictable storylines with an ending designed to be somewhat inspirational, you’ll find “Night School” to your liking.

But the film and its audience would have been much better served had the studio not gotten greedy and let Lee make a genuine adult film with the requisite dialog, situations and sensibility necessary for an “R” rating.

Instead, because they want the dollars that are far more likely from a PG-13, Lee, producer Will Packer and company softened up a lot of language and settings. That decision ensured a bigger audience but reduced the film’s impact and value.

That doesn’t mean there’s no humor in “Night School.” There are some very funny sequences, and unless you’re someone who hates sophomoric humor or sight gags, it’s impossible not to laugh at some of Hart and Haddish’s lines and expressions.

Both are excellent physical comics, able to execute even the most juvenile scenes and make them somewhat funny, if not always hilarious. It doesn’t surprise me that “Night School” did so well in its opening week.

Both Kevin Hart and Tiffany Haddish are box office gold at this point in their careers. I just hope down the line both opt for more engaging scripts and films that stretch their talents rather than just spotlight them.

29th Southern Festival of Books offers excellent events

0

By Ron Wynn
Nashville Voice

The Southern Festival of Books: A Celebration of the Written Word celebrates its 29th anniversary this weekend, and it has become one of the nation’s finest and most diverse.

A completely free event, it brings to Nashville more than 200 of the region and nation’s finest authors in every genre from biography to fiction, mystery to romance, politics, sports, cuisine, poetry and the arts.

It’s designed to encourage reader interaction and participation. Every author either does a solo reading or participates in a panel discussion. There’s a signing in the book tent by participating authors after each event. Plus, every book discussed or spotlighted is available for sale in areas close to the event. All proceeds support the festival.

There will also be live music entertainment on multiple stages and a variety of food vendors. The 2018 Southern Festival of Books begins Friday at 12 noon. Session times are: Friday 12 noon – 5 p.m. Saturday 10 a.m. – 6 p.m. Sunday 12 noon – 5 p.m.

The panels and readings are being held either at the War Memorial Plaza or the Main Public Library downtown on Church Street. A complete schedule is available at humanitiestennessee.org Here are a few recommendations:

Friday

Deborah G. Plant – “Barracoon: The Story of the Last “Black Cargo”
12 noon, Nashville Public Library (NPL) Auditorium
Plant will lead a discussion on this volume written by the acclaimed author and anthropologist Zora Neale Hurston, which wasn’t in print for decades and was only recently recovered. It includes a new foreword by Alice Walker and is the story of Oluale Kossula AKA Cudjo Lewis. He was one of the last survivors of the Clotilda, the last vessel to carry kidnapped Africans into a life of bondage in the United States — 50 years after the slave trade was officially abolished. In 1927, Hurston made the first of several journeys to Africatown, near Mobile, Ala., to interview him. Kossula’s accounts of the cruelty he witnessed, including seeing the decapitated heads of his loved ones burned and traded for cash, as well as his experiences of being sold, are wrenching and riveting.

Richard Blackett, Bill Carey, Jim Jordan – “Going Deeper: New Research into American Slavery”
3 p.m. NPL Conference Room 1A
This is just as described, authoritative new research by each of these authors into the ugly phenomenon of American slavery. Not particularly enjoyable to hear or discuss, but extremely important is obliterating myths and shedding new light on something many in this country would prefer not to remember, nor accept how much impact its legacy still has in contemporary society.

Saturday

David Blight – “Frederick Douglass: Prophet of Freedom”
11 a.m., NPL Banner Room
It’s hard to believe that there’s new and fresh information about the legendary 19th-century abolitionist and social justice advocate Frederick Douglass, but that’s precisely the case with David Blight’s exceptional new biography. He has uncovered new information previously available only. This is not only the first Douglass biography in over 25 years but arguably the most comprehensive and vital.

Nadine Strossen, Emily Siner – “Hate: Why We Should Resist It With Free Speech, Not Censorship (Inalienable Rights)”
2 p.m., NPL Conference Room 1A
This one is sure to be controversial. There are those who feel all speech, even that uttered by the likes of Neo-Nazis and Klan types, should be heard. Others feel letting racists and bigots have open forums not only encourages violence against their targets, but empowers the scum and dregs of society to continue spreading hatred with impunity. Both Nadine Strossen and Emily Siner have long track records of being impassioned supporters of unrestricted 1st Amendment privileges, so it will be quite interesting to see how they respond to the suggestion that there are some in our society who shouldn’t always have free access to forums.

Kiese Laymon, Rae Paris, Rochelle Riley – “”Reverberations of Racism: Memoirs of Personal Freedom, 4:30 p.m. NPL Conference Room
Distinguished writers, authors and/or journalists Kiese Laymon, Rae Paris and Rochelle Riley discuss how racism has affected their personal and professional choices and the ways in which they refuse to let it limit their goals or outlook on life.

Sunday

Elliott Gorn, Christopher Schmidt – “Beyond The Flashpoint: Examining Events of the Civil Rights Movement”
12 noon, NPL Conference Room 1B
With the 50 year anniversaries of such events as the Voting Rights Act, Fair Housing Act and the death of Rev. Dr. Martin Luther King Jr., there’s a lot of examination occurring regarding just how much progress this nation has made in the areas of social justice and Civil Rights. These two authors have spent years evaluating and assessing the events of the ’50s and 60s and offer some perspectives on them that will alternately enlighten and depress due to their frankness regarding national attitudes and policy emphasis.

Steve Haruch (editor) – “People Only Die of Love in Movies: Film Writing by Jim Ridley”
12 noon, NPL Special Collections Room
Jim Ridley was one of those who deserve the title “larger than life.” He rose from writer to editor during his 25 year tenure at the Nashville Scene, often turning down the opportunity to go elsewhere due to his love for the city and his family.

As a writer, he won two first-place awards in the Association of Alternative Newsmedia’s art criticism area. During his time as an editor, the Scene won more than 40 awards from that same organization, averaging about five a year. But that is only a small part of the story. Jim Ridley was beloved across the city and region, someone whose friendships transcended every social division, going across race, age, gender, religion and sexual orientation. He helped save the Belcourt from extinction by championing it in the Scene.

Sadly, he died a couple of years ago at 49. His colleague and friend Steve Haruch has compiled a great cross-section of his film writing, showing how devoted he was to cinema and how broad his tastes were, as well as his ability to convey to both knowledgeable and novice readers a love of the art form that was infectious. He’s still missed every day by those fortunate enough to call him a friend, and this book brings back a lot of wonderful memories, as this discussion no doubt also will.

‘Undocumented’ author Dan-el Padilla Peralta to deliver Hispanic Heritage Month lecture Oct. 15

Nashville Voice

Dan-el Padilla Peralta, author of the memoir Undocumented: A Dominican Boy’s Odyssey from a Homeless Shelter to the Ivy League, will deliver the Hispanic Heritage Month Speaker lecture at 7 p.m. Monday, Oct. 15, in Sarratt Cinema. This program is free and open to the public.

Peralta, a Princeton University classics professor who identifies as Dominican, immigrated to the United States when he was four years old. The Association of Latin American Students, or ALAS, is sponsoring the event in partnership with many campus organizations.

The lecture is part of the Vanderbilt community’s celebration of Hispanic Heritage Month, which began Sept. 15 and ends Oct. 15 and featured a series of events across campus, including celebrations, lectures and visiting speakers. The 30-day period, which is observed nationally, recognizes Hispanic and Latinx histories, cultures and contributions.

Many of the Hispanic Heritage Month programs this year were sponsored by ALAS, a student organization formerly known as Vanderbilt Association of Hispanic Students, recently changed its name to be more inclusive of a broader array of identities, including students with ties to Brazil, Afro-Latinx culture and indigenous populations of the region.

A highlight of Hispanic Heritage Month was a visit by Gabby Rivera.

Rivera is the award-winning writer of Juliet Takes a Breath and the Marvel Comics series America, which features the first queer, Latinx teen-girl superhero.

Latinx, a term often used in lieu of Latino or Latina, is a more inclusive term that encompasses multiple identities, including race, gender and culture.

During her visit, Rivera gave a keynote centered on the importance of empowering diverse voices to tell their own stories and cultivating radical creativity and joy. She also held a meet-and-greet breakfast and led an interactive writer’s workshop with students, faculty and staff.

The Sept. 15 start date for Hispanic Heritage Month coincides with the Independence Day celebrations of five Latin American countries, including Costa Rica, El Salvador, Guatemala, Honduras, and Nicaragua.

In addition, Mexico and Chile observe their independence on Sept. 16 and 18, respectively.


Music was the surprising star of the American Music Awards

By Lisa Respers France 
CNN Newsource

The 2018 American Music Awards were, surprisingly, mostly about the music.

There were some moments, including comedian Billy Eichner going off script to urge people to vote and XXXTentacion’s mother, Cleopatra Bernard, accepting the award for favorite soul/R&B album for her late son.

But it was the performances at Tuesday’s ceremony that captured attention.

Taylor Swift, who just wrapped the North American leg of her “Reputation” tour, kicked off the show with her single “I Did Something Bad.”

It marked Swift’s first live awards show performance in three years.

Ledisi, CeCe Winans, Donnie McClurkin, Mary Mary and Gladys Knight pay tribute to Aretha Franklin

Legendary singer Aretha Franklin, who died of pancreatic cancer in August, was honored with a gospel tribute that closed out the show.

Her friend Gladys Knight began with a stirring rendition of “Amazing Grace.”

The tribute then transitioned into more rollicking performances by the other artists, with selections that harkened back to Franklin’s influential gospel roots.

Carrie Underwood’s emotional ‘Spinning Bottles’

The country superstar offered a moving rendition of her single “Spinning Bottles.”

She also took home the award for favorite country female artist.

Panic at the Disco’s ‘Bohemian Rhapsody’

It’s not easy doing a Queen cover, especially when it’s an iconic song.

But Panic at the Disco more than pulled it off, performing via satellite from Sydney.

The performance was introduced by Rami Malek, Joseph Mazzello and Gwilym Lee, who star in the upcoming film about Queen, “Bohemian Rhapsody.”

Cardi B, J Balvin and Bad Bunny’s ‘I Like It’

Welcome back, Cardi B!

The new mother gave fans plenty to like with a tropical-themed rendition of her hit song “I Like It.”

It was her first awards show performance since the July birth of her daughter, Kulture Kiari Cephus, with husband Offset.

Mariah Carey debuts new song ‘With You’

When you are a diva who has been in the game for a minute, you don’t need to dance around.

Wearing a pink gown and surrounded by the same color, Mariah Carey gave notes, not moves.

Ciara and Missy Elliott show how to ‘Level Up’

This performance was the complete opposite of Carey’s as Ciara seemed never to stop moving.

She and her backup dancers went through an energetic routine that helped show why “Level Up” has become a viral dance craze.

It gave shades of a 2018 version of Janet Jackson’s “Rhythm Nation” minus the social message.

And of course Missy Elliott makes everything she appears on better.

Ella Mai is all ‘Boo’d Up’

Newcomer Ella Mai has a hit with her new single.

That was made obvious as the crowd jammed to the English singer-songwriter’s performance.

Jennifer Lopez brings the power with ‘Limitless’

Jennifer Lopez did double duty, both singing and reminding us that she’s also an actress.

J-Lo sang “Limitless,” from her forthcoming movie “Second Act.”

Lopez began with a poem by writer Jasmin Kuar, which read: “Scream so that one day a hundred years from now another sister will not have to dry her tears wondering where in history she lost her voice.”

The performance evoked the power of women, and Lopez’s backup dancers accentuated the song’s lyrics, “I am here to stay.”

Camila Cabello has ‘Consequences’

Former Fifth Harmony singer Camila Cabello brought in an orchestra to perform her single “Consequences.”

It was good night for Cabello, who also took home awards for favorite new artist of the year and favorite pop/rock song for “Havana,” featuring Young Thug.


Nicki Minaj launches merchandise line based on Cardi B fight

By Lisa Respers France 
CNN Newsource

Cardi B accused Nicki Minaj of trying to mess with her money, pointing to that as one of the reasons behind their infamous New York Fashion Week run-in.

But now Cardi is helping to make her reported rival some cash.
Minaj is selling merchandise inscribed with the words “Nicki stopped my bag,” a nod to Cardi B’s quote after the Sept. 7 incident.

The phrase refers to an attempt to stop someone from making money, the opposite of the slang phrase, “securing the bag.”

The rappers were seen leaving New York Fashion Week’s annual Harper’s Bazaar Icons party when some attendees documented Cardi B yelling, throwing a shoe and being restrained while attempting to charge Minaj.

Cardi B was escorted out of the event and afterward posted a profanity-laden note on Instagram explaining what she said happened.

“I let you sneak diss me, I let you lie on me, I let you attempt to stop my bags, f**k up the way I eat,” Cardi B wrote.

On Thursday Minaj posted photos of backpacks, a T-shirt and a jacket with “Nicki stopped my bag” on her Instagram account.

After the altercation, Minaj lashed out at Cardi B on her Beats 1’s “Queen Radio” show.

“You’re angry and you’re sad. This is not funny,” Minaj said of her rival. “Get this woman some f***ing help. This woman’s at the highest point in her career and she’s throwing shoes?”

View this post on Instagram

✨NickiMinajQueen.com✨ ????????

A post shared by Barbie® (@nickiminaj) on