Aretha Franklin funeral set for August 31 in Detroit

17 AUG 18 18:27 ET

    (CNN) — The funeral for Aretha Franklin will be held August 31 in Detroit, according to the singer’s publicist, Gwendolyn Quinn.

The service, for family and friends, will be held at 10 a.m. ET that day at Greater Grace Temple.

Public viewings will be held August 28 and 29 from 9 a.m. to 9 p.m. at the Charles H. Wright Museum of African American History in Detroit, Quinn said.

Franklin will be entombed at Woodlawn Cemetery in Detroit.

The legendary soul singer died Thursday from advanced pancreatic cancer. She was 76.

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These moms are seeking office to ‘leave the casket open’

21 AUG 18 14:14 ET

    (CNN) — On August 31, 1955, the body of a black youth was found in the Tallahatchie River, near Money, Mississippi. He was naked except for the barbed wire wound around him, which was attached to a 75-pound fan meant to sink him down to the riverbed. One eye was gouged out and his skull badly fractured and with a bullet hole in it. He was, in fact, so badly beaten that his uncle was able to make a positive identification only because he recognized the youngster’s initialed ring.

His name was Emmett Till. The 14-year-old Chicagoan had been sent to spend the summer with his uncle in Mississippi, where he was lynched for reputedly flirting with or whistling at a white woman (Carolyn Bryant Donham, who, in a book published in 2017, recanted her original account of this event).

When Till’s mother, Mamie Elizabeth Till-Mobley, was told how her only child had been murdered, she demanded that his body be returned to Chicago. Seeing the disfigured remains at the train station, she collapsed — but then she called Ebony and Jet magazines, telling them that she wanted the whole world to see what she saw. At the funeral home, a mortician offered to “touch up” Till’s body. The mother said no and instructed that the casket be left open.

“I think everybody needed to know what had happened to Emmett Till,” she said.

Like Mamie Elizabeth Till-Mobley 63 years ago, Lucy McBath and Lezley McSpadden want to leave the casket open.

The day after Thanksgiving 2012, Lucia “Lucy” McBath answered the phone. It was the father of Jordan Davis, her 17-year-old son. He told her that Jordan had been shot and killed at a Jacksonville, Florida, gas station by a white man who, as it turned out, complained that Davis and his friends had been playing music too loudly in their car.

Lucy McBath grieved. She also quit her job as a Delta flight attendant to become a full-time gun control activist. Then, on July 24, 2018, she won the Democratic nomination in Georgia’s 6th Congressional District. The month before, she told Elle magazine that she had been “afraid” to run for office. “I kept saying, I don’t know how to be a politician. … I’ve never done that before.” But after she won the primary, she tweeted, “… I intend to show the good people of #GA06 what a tough, determined mother can do.”

On August 9, 2014, Michael Brown, an 18-year-old African American resident of Ferguson, Missouri, just north of St. Louis, was walking with a friend down the center of Canfield Drive. Ferguson police officer Darren Wilson believed that Brown matched the description, fresh off his radio, of a shoplifting suspect. At one minute after noon, he drove up on the two young men. Two minutes later, an altercation ensued, the pair fled, and Wilson gave chase on foot. The official report by the district attorney and the medical examiner indicates that Brown had turned and was approaching Wilson when the officer fired repeatedly, hitting Brown, who was unarmed, six times.

On August 10, 2018, Michael Brown’s mother, Lezley McSpadden, stood “near the spot where her son was gunned down” and announced she was running for the Ferguson city council.

“Almost four years ago to this day,” she said in a news conference, “I ran down this very street, and my son was covered in a sheet. It broke me, you know. It brought me down to my knees and made me feel crippled, as if I could do nothing else anymore. I learned to walk again, and this is one of my first steps.” She pledged that, if elected, she would focus on community policing, economic equality, and access to health care for all of Ferguson’s young children. She also promised to work on rebuilding the relationship between the police and the residents of Ferguson, two-thirds of whom are black.

Lucy McBath and Lezley McSpadden want the world to see and to never forget what happened to their sons. They do this, in part, for personal healing. But as Ben Crump, the civil rights attorney who represented the Brown family, told me in a phone conversation on August 15, their “running will help heal their communities.”

I believe it will help to heal the entire nation. These grieving mothers have declared that they, who have every reason to give up on America, are doing no such thing. On the contrary, thrust onto the public stage by deep personal loss, they have decided to become instrumental in changing politics. Win or lose, their very candidacy will elevate consciousness and be a conduit to restorative justice.

But I do want them to win.

I want them to win because, with every reason to despair, they have instead chosen to engage, to rebuild police-neighborhood relations, race relations, and the basic fabric of our communities and our country. These women, who know the terrible cost of a breakdown in these three social domains, now possess a powerful motive to drive change.

And make no mistake, in recent years — in recent months, weeks, and days — police-neighborhood relations, race relations, and community solidarity have all been under assault, and they have all deteriorated. Political leadership at the very top has been not merely indifferent and incompetent, but has actively encouraged dissension among us, as if creating national division were its goal.

So, we need these women, and we need other men and women like them. We need Americans who choose not to cling to some 1955 mythology of bygone American “greatness” but who want American greatness right now and for the future — a future in which the likes of Emmett Till, Jordan Davis, and Michael Brown need not fear to make their way in America.

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Forget Madonna and Logic — here’s where the VMAs made a statement

21 AUG 18 16:46 ET

    (CNN) — The statement was subtle but the point was poignant. There was Willy William, a French-born child of Mauritian immigrants, accepting the MTV Video Music Award on Monday night for Best Latin Video, for the worldwide hit “Mi Gente” — and using the moment to celebrate his country’s World Cup victory in July.

William accepted the award on behalf J. Balvin, with whom he collaborated on “Mi Gente,” the latter’s remix of William’s single “Voodoo Song.” In his acceptance of the award, William apologized for his poor grasp of English but was pretty clear in announcing his pride in his French heritage and France’s Cup victory.

Why was this an important moment?

Because with 15 players with African roots on France’s 23-man soccer team earlier this summer, people of African descent from all around the globe took a degree of pride in the country’s second World Cup victory. In fact, one such person — The Daily Show host Trevor Noah — found himself in a bit of a beef with Gérard Araud, the French ambassador to the United States, over the amount of Africa in France’s victory.

Noah, who is from South Africa, jokingly said it was a win for the Motherland.

Araud seriously disagreed.

“By calling them an African team, it seems you are denying their Frenchness,” Araud wrote in a response he posted to Twitter in July. “This, even in jest, legitimizes the ideology which claims whiteness as the only definition of being French.”

The exchange sparked a trans-Atlantic discussion about immigration and anti-immigrant hatred at a time when many around the world have been focusing on the issue as an American problem. It shed light on the parts of France’s population that are anti-immigrant and anti-Muslim, as well as reminded observers of the country’s long, documented history of colonization. That same light reflected back on the United States and illuminated an important and broader context for its growing anti-immigrant sentiment, its halting and incomplete efforts to deal with its own history of racism.

And in the wake of that summer debate came Willy William — whose song was remixed by Colombian artist J. Balvin and retitled “Mi Gente,” then remixed again with Beyoncé on vocals — using perhaps the biggest moment of his musical career to date to announce his citizenship.

For those unaware of the larger conversation about France and the World Cup, I’m sure that throwaway moment meant nothing. It certainly wasn’t as visually powerful as seeing the wall separating families come tumbling down during Logic’s performance with immigration leaders, and their children wearing shirts that said “We are all human beings.” Logic himself sported a shirt saying “F*** the wall.” It also wasn’t as off-putting as watching Madonna spend the majority of her tribute to Aretha Franklin talking about herself.

But to those of us who understood why he took the time to claim his nationality while celebrating the World Cup victory, it too was a defining moment of a politically charged night. Willy William didn’t strangle us with an overwrought acceptance speech, drown us in self-importance, or sport a T-shirt with a slogan.

He simply said “I am French” and gloated about the soccer tournament, allowing viewers to debate their own politics in their own heads.

None of which is meant to throw shade at the entertainers who decided to do something more overt or take away from the fact that “Mi Gente” is a really good song with a cool video. Yet, at the end of the day, what Willy Williams’ moment did was highlight the unifying power of music. It spotlighted a black Frenchman accepting a Latin video award for a Spanish song title that translates into “my people,” and dared the closed-minded to debate exactly which “people” he is referring to.

As for those of us with more of an open mind, we’ve always known the answer: it’s all of us.

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Spike Lee says he hopes his new film, ‘BlacKkKlansman,’ makes Donald Trump a one-term President

07 AUG 18 17:58 ET

(CNN) — Spike Lee hopes his new movie, “BlacKkKlansman,” inspires Americans not to vote President Donald Trump into office for a second term.

“I hope that (viewers would) be motivated to register to vote. The midterms are coming up, then this guy in the White House is going to run again, and what we’re going through is demonstrated, I think, is full evidence (of) what happens when you don’t vote, when you don’t take part in the process,” Lee told CNN recently.

“I know a lot of people who say, ‘F politics, they’re all crooks, whatever.’ But to me, that says, ‘defeatist attitude,'” he said, “and we just have to be smarter on who we vote.”

Lee’s latest film, which opens Friday in theaters, tells the true story of Ron Stallworth, the first African-American detective in the Colorado Springs police force in the 1970s. It chronicles how Stallworth, played by John David Washington, manages to infiltrate the Ku Klux Klan.

Lee’s film credits over three decades include other movies that have tackled US race relations — “Do the Right Thing,” “Malcolm X,” “Jungle Fever,” “Bamboozled.” He said he believes racism is just as prevalent in 2018 as it was when he started making movies — and only getting worse.

Related: Don’t tell ‘BlacKkKlansman’s’ John David Washington he’s code-switching

“The rise of (racism) right here in the United States, specifically, is direct reaction to eight years of President Barack Obama,” Lee told CNN. “It’s two step forward, one step back … The reason why I feel that race is still a big discussion in this country (is) because we’ve never really honestly dealt with slavery.

“Once we start having an honest discussion on slavery, then we can move forward,” he said. “We’ve never really had an honest discussion about the foundation of this country. I know people might not like this, but this is the truth.

“The United States of America, the foundation of the country, is built upon genocide of native people and slavery. That’s a fact,” Lee said. “The founding fathers owned slaves. Unless we deal with those truths, it’s not going to matter. This country was upon the genocide of native people and slavery. That’s the backbone.”

Lee, who refuses to say Trump’s name and instead refers to him as “Agent Orange,” has a strong message for the President and his supporters at the end of the film: He features clips of Trump alongside footage of last year’s violent protests in Charlottesville, Virginia.

Still, Lee hopes Trump sees the film.

“‘Birth of a Nation’ was shown in the White House,” Lee said, referring to the controversial Civil War movie released in 1915. “Many films. They have a screening room in the White House. I would love ‘Agent Orange’ and David Duke (a former Grand Wizard of the Ku Klux Klan) to see this film in the White House. I’m not coming, but they’re in it, they should see the film.”

Above all, Lee hopes his films serve as “time capsules” for future generations.

“I’m starting my fourth decade of films, and my work, after I’m long and gone, will be seen forever,” he said. “I’m very proud of my work. I work very hard, you know, working my craft, honing my craft, and I think that my film, some of my films, could be used as time capsules to see what was happening.

“What was happening in 1989? What was happening? Oh, let’s watch ‘Do the Right Thing.’ In 1992, oh, what was happening? Oh, let’s watch ‘Malcolm X.’ 2018 … when I’m not even here, they’re still going to be looking (at) ‘BlacKkKlansman’ and (will) use this film to show what was happening in America.”

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What Android Pie Means for the Future of Smartphones

07 AUG 18 20:23 ET

(CNN Money) — Android Pie, the latest version of Google’s mobile operating system, is stuffed with features that address some of the hottest tech controversies head-on, including smartphone addiction and privacy. It also has some changes that could create a little drama, like the missing back button.

Google released Pie — the name follows the company’s penchant for naming its mobile OS after deserts — on Monday. It offers some significant improvements over Oreo, and anyone with a Pixel phone can start enjoying them today. Everyone else will have to wait a few weeks or even months.

The ninth iteration of the world’s most popular phone operating system provides a glimpse at the future of phones. Here’s how.

Using a smartphone less is good for smartphone makers

The hottest smartphone trend this year is using your smartphone less. This year, Google and Apple acknowledged that consumers’ infatuation with their phones is a growing problem and introduced some helpful features to address the issue.

Google announced its “Digital Wellbeing” tools at the I/O developer conference in May, and is rolling them out in the Pie beta for Pixel users now. They include a dashboard that shows you exactly how bad your problem is by listing how many minutes (ok, hours) you’ve spent in each app. There is also a timer that grays out apps after a set amount of time in an attempt to cut down on usage, and a “Wind Down” feature for transitioning from phone time to bed time with a grayed-out screen.

Social media and news aren’t the only things keeping us glued to smartphones. Work is also a culprit, and Android Pie offers some help there, too. Android phones already let you create separate work and personal profiles on one device; Pie adds a switch to disable work mode, like turning off your office light when you finally leave at 6 pm.

Andrew Hewitt, an analyst at Forrester, says that feature could help Android expand further into the business world, where companies are reconsidering their go-go-go mentality that often expects employees to be available 24/7.

Batteries aren’t getting much better, yet

Android P features some clever software fixes to help extend battery life. It determines which apps you use most and allocates more juice for them. The screen also adjusts brightness automatically.

Hardware makers rely increasingly upon software fixes to address battery shortcomings and meet consumer demands. The most notable example was Apple’s botched throttling feature last year that slowed down some phones with low batteries to prevent them from suddenly shutting down. Although we’ve seen some improvements to batteries, they’re typically matched by increased processor demands from features like augmented reality and geolocation running in the background, said IDC mobile phone analyst William Stofega.

“When you look at the race between computer power that’s on these phones versus the stored-power part of it, [batteries] are way behind,” said Stofega.

Software and AI fixes aren’t necessarily the solution to the battery problem. They are a bridge to help equipment manufacturers make it until real innovation can produce better batteries, Hewitt said.

Everyone is worried about privacy

Between Europe’s expansive new privacy regulations and Facebook’s struggles with customer privacy issues, 2018 was the year consumers became painfully aware of their privacy (or lack thereof) online.

Apple has long played up its stricter approaches to consumer privacy through features like on-device processing of photos, and now Google is adding additional protections to Android Pie. Many are under the hood, like a permissions change that will require app developers to get specific permission to access your call logs. The new operating system also will restrict access to sensitive sensors like your microphone and camera while an app is running in the background.

Hewitt thinks the privacy changes, like the Digital Wellbeing features, could help expand Android’s appeal to corporate and enterprise customers.

Buttons are dying

Voice and gesture controls are infiltrating smartphone design, thanks to improvements in technology like natural language processing. Android Pie has removed some buttons and replaced them with a gesture-based system — a combination of swipes and scrolls to dance around the interface.

Some users will surely lament the loss of a back button. But change is hard, and advances in technology mean buttons are no longer the only way to get around phones. Voice is also taking over some basic functions, and make the devices more adaptable to different situations such as driving.

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Interview with David Williams

Jerry Maynard, publisher of Nashville Voice, sat down with David Williams, Vice Chancellor, Athletics Director at Vanderbilt University. 

In a candid interview, Williams discusses a number of topics, including his career highlights, his dedication to his community, philosophies on success, his upbringing, a look back over his time at Vanderbilt and why he feels it is time for him to move on. 

https://youtu.be/Q_J8dQCqBWU